About Step

About Step

Coming soon…


The performances for Step 2022 will be selected by our three guest curators Fiona Ferguson from Imaginate/Great Britain, Adjjima Na Patalung from BICT Fest/Thailand and Peter Sunesson from Salto!/Sweden, and in dialogue with Producentbyrån.

Fiona Ferguson

Fiona is a trained flautist graduating from the Royal Conservatoire of Scotland in 2001. Since then jobs in music, theatre, arts education and curation have led to a focus on theatre and dance for children and young. Fiona joined Imaginate as Creative Development Director in 2011. Her role includes initiating and leading projects and opportunities for artists, teachers and schools, curating platforms for artists, and being Artistic Lead for the EU project PUSH+. Fiona is currently on the International Advisory Panel for explore dance, a German project commission new dance works for young audiences.

Fiona on curatorship
“I am very happy to join Step 2022 as a guest curator and to work with a team of people who are so committed to what they do. Everything feels different right now, pandemic restrictions bringing new challenges so I am intrigued to see how this impacts the process of curation and how audiences might respond. My approach is to find dance that has something to say, that make us think differently about ideas and stereotypes, about what we think dance is or isn’t, and performances that are created from a place of care and respect for who children and young people are. It is a special privilege to be able to connect exciting and authentic artists with children and young people in Sweden especially at a time when this connection and access to live performances is so core to our souls.”

Adjjima Na Patalung

Adjjima is a theatre director, curator and producer. In other words; a typical arts professional from Thailand, wearing many different hats. Her current role is that of Festival Director at BICT Fest and Creative Director for the organization Arts on Location. She has a background in visual arts, crafts and liberal arts. Since 2006, she’s been dividing her time living and working in Bangkok and London. Her ambition is to utilize those experiences to generate more awareness among the Thai public sector about the benefits of performing arts for people of all ages.

Adjjima on curatorship
“I look at curatorship as a creative practice, allowing me to exercise my sense of aesthetics and of humanity. My hope is to create connectivity between an audience and the art form. I am drawn to works that move with time, to artists that constantly push the boundaries with their ideas and artistry, but with a real interest in their audiences. When selecting works, I try to look at a performance through the lens of an audience; open, curious, hungry yet uncompromising. I believe that all audiences – especially the young ones – deserve the pleasure to watch and access high quality works that respects their intellect, imagination and emotions.”

Peter Sunesson

Peter Sunesson works at Dansstationen in Malmö as producer for the Salto! festival. The festival takes place in October and is a yearly recurring dance festival for children and young audiences in Skåne. Presenting approximately 150 performances each year, the festival is one of the largest dance festivals for young audiences in Sweden and Europe. Peter has also worked with the selection for various festivals like Bibu 2016 and 2018, and he’s also part of the Swedish Arts Grants Committee’s working group for dance and circus.

Peter on curatorship
“It feels exciting to once again be given the trust to put together a program for Step, seeing as how the last festival was reduced and became chipped around the edges due to the Covid-19 situation around the world. It comes down to finding width, sharpness, representation and diversity in scenic expressions. Perhaps the content of the upcoming festival will be affected of what has happened? We’ll see. I hope our selection in a good way will reflect our current times and that it can contribute to establishing Step as an important festival on the Swedish performing arts scene.”


Producentbyrån in Gothenburg is the initiator and producer of Step. Producentbyrån is a team of producers and project managers working with various artists, companies, festivals, conferences and projects in performing arts, both in Sweden and internationally. Producentbyrån was founded in 2008 and work with tour management, communication, project management, coordination, production, administration and economy. We work with both short and long-term projects and hire additional producers and project managers when needed. Producentbyrån is run by Malin Enberg, Dag Rosenqvist and Julia Sjönneby.


Would you like to know more about Step, or get in touch with anyone working with the festival? Get in touch at:

E-mail: info@stepfestival.se
Phone: +46 (0) 728-58 76 38